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Dr Annika Forkert is a Lecturer in Music at the Royal Northern College of Music, Manchester, with research interests in the aesthetics, history, and analysis of British music since 1900, microtonal music, serial music and modernism, and female composers. She founded the Royal Musical Association's mentoring scheme and plays the piano and the cello. In her spare time, Annika can be found listening to animals.
Relevant publications
‘Vaughan Williams and the Films. The Quest for the 'Finest of the Fine Arts', in Vaughan Williams and his World, eds. Daniel Grimley & Byron Adams (Chicago University Press, 2023), 107-34.
‚Musik im Theater in England‘, in Handbuch der Schauspielmusik, eds. Antje Tumat & Anna Ricke (J.B. Metzler, forthcoming 2023-4).
‘Savage Minds in British Early-Twentieth-Century Music’, in Musics with and after Tonality. Mining the Gap, ed. Paul Fleet (Routledge 2022), 33-53.
‘Microtonal Restraint’, Journal of the Royal Musical Association 145.1 (2020), 75-118.
‘Lutyens in Liverpool’, The Musical Times 160.1949 (Winter 2019), 91-98.
‘Das Biest und die Schöne. Symphonien Nr. 4 & 5’, in MusikKonzepte: Ralph Vaughan Williams, ed. Ulrich Tadday (Edition text&kritik 2018), 45-62.
‘Beauty among Beasts? From Walton to Maconchy to Britten’, in Elizabeth Maconchy. Music as an Impassioned Argument, eds. Christa Brüstle & Danielle Sofer (Universal Edition 2018), 63-85.
‘“Always a European”: Edward Clark’s Musical Work’, The Musical Times 159.1943 (Summer 2018), 55-80.
‘Magical Serialism: Modernist Enchantment in Elisabeth Lutyens’s O saisons, ô châteaux!’, Twentieth Century Music, 14.2 (2017), 271-303.
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